2017.12.21 – Brixton Academy, London, England

Date: 21st December 2017
Event: The Prodigy Concert
Venue: Brixton Academy
City: London
Country: England
Support: Ragga Twins, Stanton Warriors, Cardinal Sound B2B, High Class Filler

Tracklist:
1. Omen
2. Resonate
3. Nasty
4. Wild Frontier
5. Everybody In The Place
6. Firestarter
7. The Day Is My Enemy
8. The Day Is My Enemy (Bad Company UK Remix)
9. Roadblox
10. Voodoo People
11. Get Your Fight On
12. Need Some1
13. Breathe
14. Run With The Wolves
15. Invaders Must Die
16. Poison
17. Smack My Bitch Up
Encore:
18. No Good (Start The Dance)
19. Their Law
20. Take Me To The Hospital

Extra info:
Review by Rick Pearson, www.standard.co.uk:
It was the kind of night when the sweat was dripping off the walls. Such is the way when The Prodigy come to town.
The Essex band, best known for their early 1990s hits Firestarter and Breathe, were in Brixton last night for the first of three sold-out shows here.
It’s fair to say, there’s little that’s traditionally festive about this bludgeoning, brutal but brilliant band. Keith Flint — aged 48 but double-mohican still intact — prowled the stage like a caged tiger while his bandmates offered up breakneck beats to a crowd not comprised entirely of teetotalers. No doubt, an evening with The Prodigy is a physical experience as much as it is an aural one.
Roadblox, with its mass of build-ups and breakdowns, was more of a high-intensity interval session than a traditional dance number. Breathe shook the Brixton Academy to its foundations and Smack My Bitch Up, controversial as it was when it was released in 1997, was greeted like a returning war hero by a crowd with an equal ratio of men and women.
Indulging in a little gonzo journalism, your writer took himself close to the front of the stage where the air was noticeably thinner, such was the exertion of the crowd. It is up here, among the pogoing and pint-throwing, that The Prodigy should truly be experienced.
Their Law — a response to the Criminal Justice Act’s anti-rave legislation – was a thrilling blend of punk and dance. And even if the reggae-inspired Out Of Space was cruelly truncated and there was no encore to speak of, the night was nonetheless a riotous success.
You’d think twice before inviting Flint and his cohorts round to try the turkey. But if Christmas is truly about a communal, joyous experience, then The Prodigy at Brixton ticked all the boxes.

Review by Paul Grace, http://louderthanwar.com:
With the promise of a new album in 2018, The Prodigy recently embarked on a European mini-tour which included three dates at London’s O2 Brixton Academy. Paul Grace reports back from an exhilarating opening show.
It was the early 90’s when The Prodigy hit the rave circuit with their crossover hit, Charly; a tongue in cheek fusion of jungle breakbeat, Beltram-style hoover stabs and a vocal sample nicked from a kid’s safety awareness ad. The track, of course, was designed to enhance the effects of whatever the listener was under the influence of, and rather ironically it peaked at number three in the UK charts; its commercial success a reflection of the lightning speed at which the underground dance scene was exploding.
The Prodigy went on to conquer the UK and global dance scenes with multiple top ten hits plus five UK number one albums. With the promise of a new album in 2018, The Prodigy recently embarked on a mini-tour of Europe finishing up with three sell out nights at London’s O2 Brixton Academy.
As I arrive on the first night, the Academy’s packed and the thick fog of sweat you normally see at the end of a gig is already visible even before the band have hit the stage! It’s been two years since The Prodigy last played in the capital and the anticipation is fast approaching fever pitch. At 9.15pm, the house lights dip as the intro tune from A Clockwork Orange filters through the PA which is barely audible over the deafening screams.
Arriving with all the swagger of Burgess’ Droogs, The Prodigy launch into an electrifying Omen and the breakneck pace is well and truly set. It’s a manic but thrilling show with Keith Flint sporting trademark mohican and braces; he roams the stage like a man possessed, while MC Maxim is a vision of menacing voodoo with UV paint daubed over his face. The onslaught of thunderous breakbeats, rap, bass and synth crashes like a force 10 hurricane and the frenzied atmosphere takes us back to the very core of the birth of rave. The production is equally dazzling of course with retina-burning spotlights, strobes and endless clouds of dry ice.
A distorted screech indicates the start of Firestarter and a hole is metaphorically ripped through the Academy roof. At times it even feels like the walls are physically bouncing! Flint is a fabulous frontman, there’s occasional chat but his gruesome facial expressions are sufficient banter. The main show comes to a crashing climax with a rousing Smack My Bitch Up but the boys return for a four track encore finishing up with a brief rendition of Out Of Space.
A truly breathtaking if exhausting show, perhaps verging on the darker side of pantomime comedy at times, but a highly credible performance nevertheless that confirms The Prodigy are still very much at the top of their game.

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